Archive | November, 2011

The Woodstock Treaty House and Tree

Posted on 23 November 2011 by Stefan Blank

This is third installment of Jim Hislop’s fascinating history of the farms that made up Woodstock. You can find Part 1 here, and Part 2 here and our general Woodstock history here.

Few people may realise when they take the Church Street offramp from the N1 into Woodstock, as they drive along busy Albert Road towards the Biscuit Mill, that they are passing the site of an historical landmark.

In 1788 Pieter van Papendorp used his cottage between the Castle and Salt River as security for a mortgage bond. A silversmith by trade, Van Papendorp (after whom Woodstock was originally named) lived in another house on this property, probably a simple fisherman’s cottage originally (the sea ran very close to the present Victoria Road, just in front of the railway line and Castle Brewery building), which was built sometime in the first part of the 18th century or possibly even the late 17th century.

Picture 1 - General Janssens

This homestead, called Papendorp House when he lived there, was later renamed La Belle Alliance. It was outside the old thatched cottage, under the shade of a wind-battered milkwood tree, that the Dutch signed over the fortifications at the Cape to the British in 1806 – after Governor General J.W. Janssens’ (picture 1) garrison was defeated at the Battle of Blaauwberg. After this historic event, the cottage and nearby milkwood became known as the Treaty House and Treaty Tree respectively.

Picture 2 - The Treaty House at Woodstock, 1907 by John William George

Later the house was owned by a tanner named John Brown, but he went insolvent in 1832 and was forced to sell the property, which also included a tannery. Though the spot was fairly windswept during summer Southeasters (sea sand whipping residents’ faces as they dashed for cover), the cottage must have had a fine view of Table Bay, and sailing ships would have literally passed by close to its front door.

Picture 3 - Treaty House Courtesy of the Cape Archives

The oldest structure in the area, the Treaty House survived well into the 20th century, but with the increasing amount of industrial activity in the Woodstock area at the time, space was at a premium and it was decided to demolish the homestead to make way for a factory in 1935, its historical significance not being enough to preserve an old building in those pre-War days. Luckily, because of its importance, the house was depicted by various artists, including John William George (picture 2) during its final decades, and some photographs of it exist, too (pictures 3 and 4).

Picture 4 - Treaty House tinted photo courtesy Hilton T - Flickr

The centuries-old tree somehow survived, standing stubbornly forlorn and forgotten on a derelict plot on the corner of Spring and Treaty Roads (just off Albert Road),  the remainder of the square that once flanked the old cottage. It’s not exactly clear how old the milkwood tree is, but some say it was a landmark for Portuguese sailors in the days before the Dutch landed at the Cape in 1652, even being old enough to have ‘witnessed’ the Hottentots killing 64 of the cut-throat explorer Captain d’Almeida’s infamous marines, who had abducted a Khoisan baby nearby in 1509! What is more certain is that slaves were sold under its shade (and sometimes hanged from it). The tree has definitely seen a lot of Cape history pass by, from the end of slavery in the 1830s to the reclaiming of large parts of Table Bay a century later.

Picture 5 - Treaty tree - courtesy Jim Hislop

Luckily, in 1966 the Cape Town City Council took possession of the remaining plot and the ancient tree, and it was proclaimed a National Monument in 1967. The milkwood is still there, now fenced off to protect it, bent and gnarled from centuries of howling gales. It’s probably the only tree in South Africa to have a wine named after it – Flagstone’s Treaty Tree label (picture 5). It’s a great shame that the rustic, old U-shaped house with its thatched roof, heavy-raftered ceiling, stone-flagged floor and vine-covered stoep no longer exists, as it could have made a fantastic centrepiece for Woodstock’s current rebirth.

Picture 6 - Flagstone Treaty Tree wine

For a souvenir download of the Treaty House, visit the Old Castle Brewery website.

Sources:

1. http://battle.blaauwberg.net/the_treaty_house.php

2. The Cape Odyssey No.35 (Feb/March 2004)

3. http://flagstonewines.com

4. www.oldcastlebrewery.co.za

 

Jim Hislop is the current Senior Copy Editor and Wine Writer for Pick n Pay’s Fresh Living magazine.

A long-time resident of Observatory, he is also a member of the Vernacular Society and is currently researching the history of the old farms of the Observatory and Woodstock area.

Comments (0)

Yes, Banksy is in the ‘hood

Posted on 18 November 2011 by Cecile Blake

34 Fine Art is currently hosting an Urban Contemporary group exhibition entitled ‘Outside’, featuring many of the world’s most famous street artists such as Banksy (UK), Blek le Rat (FRANCE), Shepard Fairey (USA), Invader (FRANCE) and others. Gallery owners Fred and Andries say this is their most  popular exhibition yet, drawing crowds of up to 250 people a day to their intimate gallery in Buchanan square in Woodstock and receiving a great deal of press coverage.

The first thing I thought when I heard about the exhibition is that street art belongs in the street- so how do you exhibit this in a gallery? The truth is that street art has developed into a multifaceted ‘movement’, flourishing on the nervous energy of graffiti and stencilling, spray-can art, skateboard culture, hip music and urban fashion. Urban Art in its truest form is mostly unsanctioned and communicates with ordinary people, where the works comment on socio-political issues. Many artists use this as a form of peaceful protest to convey a message regarding certain issues affecting their communities. But nowadays it’s not just about the edgy and unlawfull stuff; since the works have such a large influence on popular culture and are such hot property, many street artists now make and sell limited edition prints for galleries.

Gallery owners Andries and Fred have been buying up works for the exhibition since June, and some of the works are on consignment from the artists. Interestingly enough, many of the prints are fairly inexpensive when sold by the artists, but the editions are so limited that they soon become hot property; for example the Banksy print on view is from a print run of only 25. The works on show range in price from R4500 – R350 000, and 16 of the works have been sold.

BANKSY; Choose your weapon; 2010; Serigraph; edition 25; 60x60cm

Quite a few of the works in the current show are from the controversial and prolific artist Mr. Brainwash. Mr. Brainwash is the Frenchman Thierry Guetta, and when he became interested in the street art movement he started filming a documentary about it, becoming the first person to film the elusive artist Banksy. Eventually Banksy and others cottoned on to the fact that he wasn’t really a filmmaker, and turned the cameras on him, producing the Oscar nominated film ‘Exit throught the gift shop’ which ironically made Mr. Brainwash even more famous. (See the trailer here). Now he is possibly the most succesful (financially) of the street artists, although he is really more of a pop artist, and his work is produced largely by others and (I feel) is very unoriginal.  To be fair, this is the way much of contemporary art nowadays is produced, although Andries mentioned that it is likely that Banksy does most of his work himself, as he keeps such a low public profile.

 

Mr Brainwash; Madonna; 2011; Mixed media on paper; 57x57cm

 

left: Mr. Brainwash; right: Shepard Fairey

There is also some work from local urban artists such as Faith 47 and Black Koki on view. The fact that
Woodstock, Salt River, Observatory and the informal settlements are the urban art hotspots in Cape Town  makes this area a popular place for artists to live and have their studios, and the perfect place to have this exhibition.

The exhibition closes November 19, and if you still need any convincing to go and see it, consider this quote from 
the  Cape Times 8 November:

“So, whether you are a collector, an investor wanting to buy a Mr. Brainwash in case it turns out to be a Banksy, into conspiracy theories, or simply curious as to what the fuss is all about, here’s a chance to see the real McCoy within the safety of a gallery. All, without having to buy a plane ticket and lose shoe leather walking those gritty streets.”

Comments (2)

‘One Day In Woodstock’ Photography Competition 2011

Posted on 09 November 2011 by Stefan Blank

 

Photograph by Jenny Morkel

The last few weeks has seen the Lovell gallery holding a photographic exhibition on Woodstock. You have one week left in which to vote for your favorite picture so hurry down to the gallery and cast your vote before the 15th November.

Over a cappuccino, ILW spoke to Andy Parker of the Lovell gallery about how the idea for this competition came to be, as well as future plans for the event.

Photograph by Colin Brown

Andy was driving through Woodstock (with a rough map given to him by museum manager Brendan van Kraayenberg). Like many of us when we first ‘discover’ Woodstock, he was astounded at the variety and breadth of all the different aspects of this particular suburb, as well as the way new Woodstock was quickly encroaching on old Woodstock. Fearing that a lot of this heritage would be lost to the future, he decided to do something to capture as much of it as possible, by  holding an annual photography competition with Heritage Day as the catalyst.

Photograph by Lisa Visser

With the sole criterion of capturing some unique aspect of Woodstock, a large number of photographers set out to do just that; and it is clear that the old versus new Woodstock is a strong element in many of the photographs.

The Lovell gallery is planning on this being a yearly event and the idea is to get all kinds of photographers and photographic schools to take part in next year’s competition. Andy believes strongly in giving back to the community and emphasises that any monies made from this and future events will be put straght back into the community for example through these kind of art projects. Communities, he believes, that take pride in their surroundings are better off all round and this is the Lovell gallery’s way of doing their bit.

 

Photograph by Carolynne Higgins

The selection was whittled down to the 20 photographs currently in the gallery. These 20 will be published as a desktop editon of which the winner will receive a copy.

The public vote will close on the 15th November (so hurry down to the gallery to vote!), and a panel headed by gallery owner Tamsin Lovell-Miller and comprising of local councillor Brett Herron, the Art Times’ Eugene Singer, Jean Brundrit from UCT, and Joel Singer of Origins coffee will meet on the 17th November to select their favorite. The public vote and the panel vote will then be collated to arrive at a final winner.

Visit the Lovell gallery at 139 Albert Road, Woodstock or visit the Lovell gallery webpage for more information. For a more general overview, have a look at our gallery overview here.

Comments (0)

Breathe Sunshine Foundation brings some brightness to Al Noor Orphanage

Posted on 02 November 2011 by Cecile Blake

This weekend the Breathe Sunshine Foundation ran their fist project at the Al Noor Orphanage centre in Woodstock.  The project was supported by the Round Table and saw an energetic Breathe Sunshine team and volunteers spending the day painting the outside of the building, clearing the grounds of rubble and unused waste and donating a new toolbox.

The orphanage cares for orphaned and disadvantaged children, whose parents are either infected and or affected by the widespread HIV/AIDS pandemic.  The centre looks after 35 children between the ages of 8 – 16 years who live on the property and supports a further 54 through an outreach program. They also offer skills development projects that cover sewing, baking, beadwork, gardening, computer literacy and arts and craft.

Executive Director of the Orphanage, Amina Mankaa Madien says: “It’s been inspiring to have the foundation here, they have really gotten involved with the orphanage and the children and the work they have done will have a very positive impact on all of us”.

The Breathe Sunshine Foundation is a non-profit concept organization that runs on solid commercial business principles.  They create lifestyle projects and brands that give businesses the opportunity to work with an ethical focus.   They believe in building long-term sustainable communities through responsible business practice.

The foundation is the brainchild of South African artist Trenton Birch and is run with long time friends and fellow South Africans John Medupe and Greg Viljoen.  Through fundraising events and donations they raise money to work with orphanages, schools and community centers in South Africa’s previously disadvantaged communities. They believe education is the key to tackling poverty, which will ultimately lead to a reduction in crime and violence.

The foundation also run weekly fundraising events called the Breathe Sunshine Sessions that feature top name DJ’s, percussionists, guitarists and live artists. After several months at Hoodwinx in Woodstock the sessions are about to launch for summer season at Barocca in Camps bay.  They showcase an eclectic mix of music aimed at open-minded individuals who are looking for something a little different to what else is on offer in Camps Bay.

Mix n Blend and Trenton and Free Radical will be playing the launch on November 5th.  For more details go to www.breathesunshine.org or contact Trenton or Greg.

The Al Noor Orphanage would also like to appeal to the community for Christmas gifts for the kids. They can be contacted on alnoororphanagecentre@yahoo.com.

 

[email protected]

 

[email protected]

 

Comments (0)

Advertisement

Subscribe to our newsletter

Photos from our Flickr stream

See all photos